My headcanon suggests that they were either running out of words on the cladistics tree and went to Slavic languages because all of the Latin had been taken … or a space Slav decided to honor their roots.

Just watched Ep 1.

Star Trek (and science fiction) exists as a mirror of it’s time, different enough so that we can look at ourselves from a distance, with a required added component of playing with the ideas about what the future might be like. TOS and TNG were both mirrors of their time, with a Klingon on the bridge predicting the end of the cold war.

I definitely feel the “ok, the present generation of kids is inheriting a shitshow” vibes to this show. If you understand that there were a bunch of past efforts to do the Burn in Star Trek, it seemed like something that floated around for a long time now to break the universe (the abortive Star Trek: Final Frontier animated series being one) and … I dono, I’m more OK with it now than I would have been in 2009 because, as I said, Trek is a mirror of it’s time.

Comparing things to Star Wars, the sequel trilogy started out with the idea of “Guess what, fighting nazis again!” and it was prescient and it’s altogether too bad that they hadn’t actually thought things through well enough to bring it to a really smashing conclusion. There are a lot of threads (Caleb’s mom being a big one) where they could totally bungle things.

So, we start with family separation. Wonder where that came from! And then we kinda bounce around the subject, too. Nahla having done a thing, regretted it, leaving Starfleet, trying to make it better while also showing that whatever they do end up doing, it’s not “solving” what they did in the first place.

Nus Braka chews up the scenery. This is important, in a Trek series. Yes, it can be quiet and thoughtful and serious but we always come back to the spectacularly overplayed antagonist.

I’m fairly OK with NuTrek trusting the audience less and driving a point home harder. A lot of people ascribe old Trek with values that it never had and part of that’s because the writers trusted the audience to see the point, but folks just don’t have the same attention span to do that anymore.

Very very nerdy side note: on Outpost Pikaru there’s a whole set of grating panels that I assume are a deliberate callback to the freezer spacing grates that were all over the TNG-era Trek serieses as well as a bunch of other science fiction properties. They look very very similar but they aren’t.

On the reddit side of the fence, someone suggested you look up Gina Yashere’s standup to realize just how Lura Thok is basically Gina playing herself but in the 31st century. She reminds me of one of the assistant principals at my high school, actually, except she’s got more drill sergeant edge to her.

Jay-Den Kraag… when I was but a wee little trekkie, I knew a trans person who was deep into hardcore Klingon fandom and I think part of why it made sense for him was that Klingons was part of how he settled into his new gender? So the idea of Klingon males as a mirror to masculinity … toxic and otherwise … has been a thing, at least for me, for a while. I feel like Jay-Den Kraag was someone looking at the Klingon Therapist meme and making an actual character out of it. The entire scene where the Klingon is de-escalating things between two cocky assholes is something at least I needed.

SAM’s first few scenes I skipped past the first watching and then when her character made sense, I had to go back and actually watch them because they were a lot less cringe.

Genesis is an interesting version of charming because at first glance she starts out as a “mean girl” but then you realize that she’s parodying it hard.

Okay, and the Doctor back as the anchor to the very past. Robert Picardo is keeping the Picard name alive in that he kinda aged to a certain age and he hasn’t really aged much since, much in the same way as Patrick Stewart does.

There’s lots of fanservice, but in a good way. The half-white/half-black species from TOS, a green Orion, the Doctor, etc.

One thing that’s interesting with the characters who don’t stay locked up in the dorms when the big action is happening is that they all have plausible reasons to be there. Caleb has been living a life on the run for a long time now. Jay-Dem is a Klingon and shows some moments of self-doubt. Genesis has been living on starbases her whole life, shades of Beckett Mariner actually. Darem is cocky and it gets him in trouble. And then SAM, doesn’t know better, but also doesn’t know fear in the way a biological would. Meanwhile, one of the other cadets is screaming senselessly.

And I guess back to Nahla … she goes from “just following orders” to “Bajor schoolteacher on ice cream day” to supportive nurturing captain to playing high stakes poker with a space pirate and back. And she’s small, except for the part where she’s able to exude authority when being towered over. They were asking her to sell a lot and I think she did it. I looked through her IMDB and my past experience of her was the mom from Thirteen and Elastigirl.

One thing I hope, as a long standing Ex Astris Scientia reader, is that there’s … some sort of sense to the programmable matter, the wild 31st century designs, et al. TNG had a lot of particle-of-the-week stuff but Voyager was a crazy-quilt of nonsense particles. It’s important for the viewer to, albeit not from the first episode or two, gain some vibes for where the boundaries are, otherwise there’s no stakes. A transporter ruins basically any “locked room” detective novel puzzle.

Likewise, how they wrap up Caleb and his mom is going to either make or break the emotional arc of the series?

So, overall … it landed with me, based on where I am in my life. I empathized with Nahla in a bunch of ways that make me angry about the world I empathized with Jay-Den in a bunch of ways that made me content about the world. I’m not sure how the younger generation or casual Trek fans are going to react to it.

Edit: Unspoilered because the mods told me I didn’t need to.

The way I’ve been looking at it, if you want a chance at the starships, start with the spandex.

If we want a good and honest chance of being able to do interstellar travel of any sort, we’re not going to get there by building an Enterprise and then hope that someone cooks up a warp drive for it before we finish ruining our only planet.

Maybe physics is all wrong and there really is a warp drive to be had. If there is one, it’s not the sort of thing you can count on. We have to survive as a species until it happens.

Conversely, there’s a real easy bet to be had. In 1.29 million years, Gliese 710 will be 0.17 light years away. The GAIA mission has identified some other candidate stars that are going to get fairly close sooner. So there’s a solarpunk space travel bet of simply providing a stable society over the long term such that we can surf the stars.

Solarpunk is kinda the version that starts with the spandex. I’m at the point in my life where I kinda hate the whole Eugenics-wars/World-War-III thread to Trek because it kinda mutated away from the hopeful idea that we can survive a downturn into the idea that the collapse will create a new world which is … risky.

I feel like Starfleet in Trek accidentally but directly led to the modern US Space Force.

Trek always had to soft-sell some of the socialist ideals (e.g. “we don’t need cash” without really explaining how things really do work) and then also a lot of science fiction that was popular in the more literary side of things during the 80s was actually frighteningly right-wing.

There’s not really a good version of conservatism that works in this modern era, especially when you come to where the parties are staked in the US, but even in general. You can’t have a modern society with all of the complexities and interrelations and cost and then have it be entirely hands-off conservative capitalism. This is why even when you talk to people who are nominally part of the right wing and actually go through the checkboxes of things that they must necessarily adhere to, you see a lot of people who are so-called RINO people … and then a bunch of weirdos who nobody likes.

The brain’s got a bunch of structures probably to prevent us from spiraling into depression when we were hunting the African savanna when our buddy got eaten by a tiger and there wasn’t anything we could have maybe done about that that cause today’s cognitive dissonance.

So basically the only way you can get a frighteningly actually unpopular platform through the electorate is by taking advantage of cognitive dissonance. Because you have to project this idea that a fundamentally backwards idea is going to move us forwards somehow.

If Copyright hadn’t been extended for so many centuries, Trek characters would already be in the public domain and we’d see them fictionally used much in the way that we use all of the characters from actual public domain works. Shakespearean heroes, for example. But, even as things are now, the characters of Trek have had such a presence in the media scene that they do kinda take that aspect on. Thus, basically repeating the plot of part of the Babylon 5 episode “The Deconstruction of Falling Stars” where you have the crew of Babylon 5 being used by a new fascist empire being holographically simulated to say 1984-esque things… one of the weapons to maintain a state of cognitive dissonance is to go back and kinda put fascist words into leftist mouths.

So it’s a bit of an accident on the part of the person, who is being dragged along politically, but it’s very much part of the conservative movement to “reclaim” old media and the relatively milquetoast treatment of alternatives to capitalism and a complete abandonment of queer issues in middle-era Trek makes that kinda easy, which I guess is why NuTrek does go through some pains to state things a bit more forcefully.

Well, one option, which can be pushing the boundaries of selfhosted for some, would be to use a hosted k8s service for your public-facing stuff and then a home real k8s cluster for the rest of it.

I hope that, at some point in the series, they reference his prized bottle of Chateau Picard that he’s been saving for a special occasion.

More to the point, the company using shady means to collect the data does not need to care if the data is useful, just that it’s marketable.