A fellow Xbox gamepass User IT seems.

Nope, I’m just someone who waits for sales and has a bit of an indie streak.

This was after my First playthrough. Now, with George putting out his video, im back in. My god, its marvellous.

I see we follow similar creators! I only just picked Pentiment up last week – Jacob Geller’s recent 2023 video is what originally put Pentiment on my radar and then George’s video gave me that final push into playing it for myself. I’m extremely glad for having done so because Pentiment has quickly become quite special to me. I already look forward to making subsequent playthroughs despite still working on the first.

Hifi Rush was great, but felt too formulaic for me, so i abandoned it after the first or second Boss. Too much running arpund, No real banger music between Bosses.

I can see where you’re coming from. From a macro perspective, the game’s essentially just a series of battle arenas stitched together by corridors and platforming challenges… nothing incredible there. What makes Hi-Fi Rush special for me is the novel fusion of rythm mechanics and spectacle fighter mechanics – they complement each other extremely well. (Forgive me for explaining at you like this. I just can’t help myself when it comes to talking about this game)

Normally, I can’t stand DMC-likes because of the requisite rote memorization. HFR flips this dynamic on its head by making the memorization incidental – it happens naturally as you practice playing the combo on-rythm. Perhaps even more importantly; just as mastery of a combo string comes within reach, the underlying musical qualities all suddenly spring into focus and turn the sequence into a musical phrase. It clicks together in a very intrinsically satisfying way IMO. Naturally, this all compounds in on itself and gets double-fun once you start improvising your own “melodies” during real combat. You like Jazz? Because it’s like Jazz if Jazz killed people.

Now, obviously this isn’t going to hit the same way for everyone (nor should it!)… but if you’ve not yet buckled down in training mode and truly mastered a string or two for yourself, then I would very emphatically encourage you to give the game a second try. I actually had to do the exact same thing myself before I really “got” the game and my mindset shifted. Hi-Fi Rush truly is the Dark Souls of 3rd-Person Action videogames

When it comes to Deep Rock/co-op I think my issues are more associated with the underlying gameloop design. I find it hard to perform well when the “tension” ramps up and these games are kind of tailor-made to create high-tension situations. When a round ends I’m left feeling tired/deflated rather than joyful. I had the same issue with Left 4 Dead, but oddly not so for Payday 2.

In any case, I’m right there with you when it comes to TF2 community servers. I sorely wish that more games emphasized these sorts of digital “3rd places”. I have TF2 servers where I can go anytime and just… belong for as long as I please. Games should have more permanent places like that, where play and community come before any imposed win/lose dichotomy. People would be happier.

Yup, that about sums it up: fun, but shallow. Nevertheless I think it’s worthy of a recommendation because it has a great honeymoon period before falling off.

I had a really solid year, all things considered:

• ⭐ Hi-Fi Rush – Love it, hands down. This game’s like if Jet Set Radio, Scott Pilgrim, and DMC got into a fist fight and then that fist fight had a baby with Jack Black
• ⭐ Pentiment – I’m still playing through this one but I can already tell it’s a new favorite. Major Return of the Obra Dinn vibes
• ⭕ Against the Storm – This game innovates on the citybuilder genre so hard and I can’t get enough of it. If you love a challenge and hate the late-game, this is THE ONE
• ⭕ Psychonauts 2 – Fun and bursting with creativity… but I had to set it down after a certain point because I stopped enjoying the gameplay loop. Can’t put my finger on why…
• ⭕ Peglin – Yes, Peglin. The Peggle Roguelite. I like it and you would too if you gave it a chance. It’s not a forever roguelite, but I guarantee you’ll have a blast with it for 5-10 hours
• ❌ Deep Rock Galactic – I bounced off of this one. The game has so much charm… but I just couldn’t click with it. I think co-op games just may not be for me

Honorable Mention: TF2 – Definitely not a “new” game to me, I own TF2, I bought it with money! Even so… this year marked my return after a looong hiatus. Coming back was a total revelation – I thought I’d grown to hate FPS games – as it turns out, what I’d actually grown to hate was the modern antisocial MMR grindset. Game developers: I beseech thee… abandon matchmaking and return to 2007. Return the slab or suffer my curse

Um excuse me time actually already ended in 1991

Except you can define a value with undefined and accessing that value will have different behavior than attempting to access an undefined value.

Oh, in that case it’s not horrifying at all. Who doesn’t keep 3 years of past salary in their checking account for the occasional rainy day?

For everyday writing I like to use MessagEase. It’s highly ergonomic thanks to the 3x3 grid and deeply customizable. I’ve been happily using it for over a decade now (it continues to receive updates) and for the past 8 years I’ve been able to touch-type on it without looking at my fingers

The documentation is all in-app, so I’ve taken the liberty of screenshotting the relevant pages for illustrative purposes:

Hmm… I think we’re dogging on the author a bit much here. Don’t get me wrong, they’re clearly swimming in philosophical water that’s a bit too deep for themselves, but sometimes you’ve gotta be clumsy in order to explore topics at the edge of theory.

Let’s dial things up a notch and bring Undertale (the Dark Souls of – nevermind) into the discussion. What does it have to say about branching pathways, tonal consistency, and savescum? It says: I was made for you, please enjoy me.

The game adapts to the audience – you, that is. You are weird and hard to please, so the game needs to be flexible without feeling compromised. If you want to leave hidden depths unexplored, the game abides. If you want to vivisect every last detail, the game changes to fit your desire.

It’s alchemy, of course; both magical and unobtainable, so the author isn’t strictly wrong to accuse Baldur’s Gate of falling short. It’s true: sometimes a gap in the curtains opens up and the illusion is spoilt. With that being said, I think what’s missing is the logical conclusion to the criticism: universality – despite being unobtainable – is still worth striving for. To be universal is to distill humanity itself, as great and terrible and impossible as that may be (and here you thought I was joking with that Dark Souls jab!).

Should the NVD be deeply involved in all of them just to provide the most accurate security score? That’s an impossible ask.

This is a false dilemma. If the task is truly impossible, that’s not a valid excuse to try anyway and fail repeatedly, especially if doing so causes negative externalities. Numbered scores with decimal precision are not necessary to the core functionality of a CVE database and there are plenty of alternative solutions which would minimize harm and scale more economically.

You’re of course within your rights to remain unconvinced, but I fail to understand the mindset that would lead a reasonable bystander to look at what Ms. Reeves has said thus far and think “there’s a significant chance that this is untrue”. Why? For what purpose? She stands to gain nothing by lying unless you start imagining that a much broader conspiracy is somehow at play.

If you’re willing to entertain the idea of a hitherto unsubstantiated conspiracy from one side, then why not also suspect that LMG will conspire to hire a crooked auditor or otherwise hide unflattering findings? Why take anyone’s word for anything?

The fact she is a woman is different than the majority, however there are other women at LMG

I don’t know how to respond to this without speaking condescendingly. I’m sorry, but you’ll just have to trust me when I say that women can still be subjected to workplace harassment in situations where they aren’t literally the only girl in the building. I’ll leave it at that unless an actual woman wants to step in and expand on this subject further.

not all the men at LMG are sexist so most likely at least one person from one of those camps would object/want to do/say something

That’s just how power works. If you’re in the minority, your needs and concerns get less attention. If you’re in a very small minority, they become practically invisible. Organizations aren’t immune to this. Sexist outcomes can and will readily emerge from systems where none of the individuals directly intend to do a sexism.

As evidence, I’ll point to the statistic itself. A gender gap as steep as this one doesn’t happen by random chance. The only way you get this far skewed is with a feedback loop.

My question is if she had such a bad experience, why hasn’t anyone else said anything, or at least put an anonymous negative review on Glassdoor or something? […] (and the turnover is pretty low for LMG if I’m not mistaken, so that also doesn’t make sense)

Indeed, why is that? Why would she have such an abnormaly bad experience at this particular company? I can’t seem to think of any particular traits that she might have which would have caused her to be treated differently. If sexist comments and sexual harassment are such a problem, then why do people like Gary, James, Ed, Nick, Colton, or Luke apparently seem blind to it? I have no idea what disparity in the distribution of power could possibly account for this phenomenon!

I’m disappointed. Jesus of all people should know how dangerous it is to ride without proper gear. Where’s the helmet? Where’s the armor? And, Christ… are those Sandals?? ATGATT!

We can do better.

I’m guessing “wrong-sider” would be a step in the wrong direction?

Ah, nevermind sorry about the trouble. He’s a cofounder of the company whose logo you’re using as an avatar (“Ronimo”, i.e.: “Robot Ninja Monkey”).

This is a long-shot question, feel free to disregard… but I have to ask: is that you, Joost?

Very correct. You can solve bad culture by throwing more money at the problem. Preferably all at once with zero maintenance budget or governance so that the amenities in question can become non-functional monuments to your superior culture. Future generations will find these and marvel at your ingenuity from the safety of the water cooler.

Reasonable people will disagree… but no, probably not. This is a feature which websites can choose to use in the same way that websites can choose to use notifications. Even if you dislike the fact that web browsers provide the option, it’s the website itself that’s actively choosing to impose on you.

Now, the counterpoint to this argument is that the feature in question will most likely further strengthen Google’s position as the market leader and lock out new independent browsers. This is certainly true and similar logic has indeed been employed in cases like the Microsoft antitrust case. With that being said, Google still has that extra layer of abstraction sitting between it and the actual mechanism of action (i.e.: independent website owners who want DRM). Think of it like the Uber of anti-trust law.

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