Can this keep num lock engaged? I swear my biggest frustration with windows lately is it’s habit of randomly and arbitrarily turning off numlock after I’ve turned it on. I never turn off numlock while working. I never use the number pad arrows. I prefer the number pad numbers and use them practically all day. And yet, several times a day I find my cursor moving around the screen instead of typing a number because windows decided that it got to control the numlock function instead of me and the dedicated light up key designed for that function that has worked fine for me for decades before.

Don’t sleep on that toothache if it is due to an infection. Tooth infections can kind of fast track to the sinuses and then the brain and go real bad real quick. Also there’s the pain. I don’t know how you can survive with that pain AND a tiny human. Probably best not to die on them because of a dumb thing like a toothache.

That’s not very helpful for connecting family, friends, and especially grandma.

Jellyfish cannot to setup to securely and safely be exposed to the Internet. It is only safe to access through a VPN. That rules it out as an option for sharing with friends, family, or even my own spouse. You call it phoning home to the mother ship; I call it paying Plex to manage user authentication for me. Until Jellyfin’s security holes are patched and it becomes clear that the Jellyfin developers actually care about security, it stays locked down to my LAN. Setting up a VPN is difficult for the average user on a good day, impossible in some circumstances on even the best of days, and is not access I want to hand out (and support) to all the people I share my Plex with anyway.

So edgy.

If someone wrote this article in the early 90s, it would be called “Why I ditched the radio, and how I created my own CD collection.” I think rephrasing it that way really shines a light on why it’s mostly still comparing apples and oranges.

I have a pretty substantial collection of music hovering around 5,000 albums or 1.6TB (mostly lossless FLAC these days, but still some moldy old mp3s and ogg vorbis files from my youth). I’m not even counting the physical media I still hold on to. I still use Spotify for discovery and playlists. I don’t think the depth and breadth of my library will ever match the depth and breadth of the music that I want to listen to in the very next moment. Lots of times I want to listen to the stuff I’m familiar with, and I do that using my own library. But, when I want to: remember a song I heard in the wild, share a holiday playlist with friends, make an obscurely themed playlist of songs features peaches, preview a musician’s or band’s stuff, discover other things that musician has collaborated on, or simply discover new music; I still use Spotify.

There are (or were) bits and pieces out there (many that pre-date Spotify) that can do some of these things. Last.fm (fka Audioscrobbler) was good for tracking listening habits to compare and share with others, it helped a little with discovery. I used allmusic.com a lot long ago to discover the artists that inspired the artists I was listening. If I wanted to share a playlist, I made a mixtape (really it was burning a mix CD). But, all of these collected information only, not the music itself. If I wanted to actually hear a new song, I had to go somewhere and find it first. That often meant literally traveling somewhere else or ordering from a catalog and waiting for delivery. Every new music discovery was a bet made with real dollars that I would actually enjoy the thing or listen to it more than once. Even after napster paved the way for free listening via piracy, one still had to work to actually find the music.

Spotify (and similar services) finally collected (almost) all of it under one app, so that I could discover and listen seemlessly. It is instant gratification music discovery. I’ll never give up my self hosted collection, but I also don’t have much hope that any self curated collection will be able to complete with the way that I use Spotify. Spotify is just the new radio. It’s never the end of my listening though. Just like with radio, when I find something I like enough, then I can expend the energy (or more often expend the money as directly with the band as I can) to add it to my collection.

Conservatives really like the recycling myth because it puts the onus of waste on the individual consumer instead of the corporations actually producing the waste.

Plexamp has gotten better lately. It can save your progress on audiobooks now. It’s a per library feature, so I have one library of music (that does not save progress) and one for audiobooks (that does save progress). I used to have trouble with some audiobook formats (M4Bs needed to be converted (really just renamed) to mp4s, but that wasn’t necessary for the last few I loaded. Plex still has a little trouble with standards around multiple authors and different productions (and different readers) of a single book, but that’s more of an ID3 tag problem and is resolved if you’re consistent in normalizing the tags on your library. I’ve also used the syncing features a bunch for offline time (like on a plane or on long trips). For a large library, I see syncing offline files as a necessary feature.

And before the Jellyfin fanboys chime in, if Jellyfin could match these audio and syncing features (and be easier to setup for access outside my LAN and sharing with family), I jump ship in a heartbeat.

“pretty easy” is a bit of a stretch

I can tell that this particular port is more or less from the same time as the PS2 ports in the post’s photo because of the color. The standardization of this port happened long before the standardization of colors to indicate the capabilities of said port. We mostly only see this in variously capable USB ports today. If I remember correctly this yellow color would have been used for a joystick or controller of some kind, but there may have been other ports with the same shape and pin configuration that would have different purposes.

I want the word “unalived” to be killed or murdered in the most vile and explicit way possible for a word.

Portal 3?

Strange New Worlds catches the feels of TOS without feeling dated. It honors the best of TOS, Next Generation, DS9, and Voyager, but leaves behind the parts that don’t really work anymore. There are women on the bridge and Rick Berman’s shadow is long gone. Although there is still some interpersonal drama, it doesn’t feel nearly as center stage as it did in Discovery, focusing more on the adventure and focusing less on ACTING-centric monologues that made Discovery unbearable sometimes. I wouldn’t call the politics luke warm, though they are maybe a more subtle and less center stage than they were in Discovery. In general, my feeling is that Strange New Worlds has distanced itself from all the parts of Discovery that didn’t work for me.

My chief gripe is that Spock is often way more emotional than makes sense.

-A millennial that watched every episode of Next Generation at least twice, once when they aired and again from VHS tapes when my dad got home from work. I guess I’ve watched them all way more than twice now.

Pineapple pizza really is kinda meh by itself. But, pineapple + jalapeno + a salty/savory topping like pepperoni can be amazing.

Semi-tangential non-sequitor: The news algorithms offered up the recipe for an “Italian treat” recently that had me appalled and curious in the same way I expect pineapple pizza haters are. It was very ripe cantaloupe slices wrapped in prosciutto. I don’t even really know what to say. I just don’t want to be alone in knowing about that monstrosity.

I see you’ve never played “Dragon’s Lair”, where every scene was cell animated and the player “chose” the path that the animation would take.

Mpd + a frontend of your choosing, I prefer ncmpcpp, will run on just about anything and is remotely controlled through apps or ssh. Mpd is great when the server is physically connected to the audio output device. I use it to remotely control a speaker connected server that can also run Plex (because I prefer plexamp for streaming and syncing to my phone, other android devices, and smart speakers). They both look at the same directory of a collection near 30 years in the making with hundreds of thousands of files and a wide array of formats.

If not for Lwaxana, Odo would have never told Kiera how he felt about her, probably would have left the station and rejoined the big puddle much sooner, and as a result would not have been in a position to get the help he needed to prevent the genocide of his species.

And while Deanna certainly has issues with her mother, it is plainly shown that she has a relatively open and frank dialogue with her mother on a regular basis. To say “that Deanna only talks to her mother when pushed into it” is simply false.

I hope videos like this will inspire future creative efforts like more Klingon opera on stage and screen.

Same reason anyone has played any of the thousands of games that predate “the cloud” or games that don’t even have a save feature. Cloud saves? No thanks, never have, maybe never will.

Besides, if you’re not paying for the service, you’re the product not the consumer.

I like your schema. I’ve used something similar. My hosts have always been sci-fi space/time ships/stations, user accounts are characters from or Captain’s of said vessels. Over the years I’ve had a TARDIS, Serenity, Moya, Out of Bands II, Galactica, Millennium Falcon, Rocinante, etc. It’s usually whatever I happen to be discovering or binging at the time I setup the machine. For nearly a decade the TARDIS was my server/NAS because it was bigger on the inside that survived through several generations of smaller devices like laptops and raspberry Pi’s named after smaller lighter vessels like Serenity and Rocinante.