what would happen if nobody paid and everybody pirated
they wouldn’t just slowly starve to death you know. they’d start making the price more competitive and the service more user-friendly before they’d even had to pawn a single Porsche.
In all locations presumably? Do you know if it’s indistinguishable from you being at your main residence? Like are there any technical ways a service you’re connecting to could tell that you’re going through a VPN? (Just curious BTW!)
I thought we switched to libre
Maybe some people did. Thing is there’s a whole rest-of-the-world out there, and they didn’t necessarily get the memo or are happy with the existing way.
I commend this guy for sticking by his principles. I remember feeling shocked and let down when walking into my uni’s computer department for the first time and finding out that the main lab was the Windows lab, with the Linux lab being smaller and hidden away.
He must have tried the patience of his professors though, with his refusal to even use non-free JavaScript - for instance he wouldn’t use the Zoom video conferencing web client. Given that you don’t have to install anything on your machine and JS is heavily sandboxed, that does seem a bit too idealistic!
But hopefully he made his professors think a little and maybe they’ll even opt for true FOSS solutions in future. Like this Jitsi Meet that I’d never heard of before - I’m looking forward to trying it instead of Google Meet next chance I get.
“We demand you voluntarily side with progress”
They have an interesting concept of voluntary to be sure
I don’t think those people are responsible for pricing. The Porsche comment was a flippant way of pointing out the whole parasitic machine that sits atop the actual creatives - the actors, the set designers, the script writers, all those people that you and I do want to support. All those people are not involved in pricing decisions or exclusivity contracts, and they’re mostly paid a salary so by the time a movie or series is out, they’re already on to the next job. By refusing to subscribe to all the myriad streaming services, you are mainly putting pressure on those executives to make a more appealing product.
I think you’re right in that it’s very reminiscent of US tipping culture (I’m not in the US), in that the people at the bottom are the ones who do the real work and yet they don’t get a fair share of the profits and instead have to take on unfair risk (i.e. the risk of not being tipped).
That said, I need to confess that I’m partly playing devil’s advocate, I pay for Netflix and just the other day I paid YouTube to “buy” a digital copy of a movie - for the exact reasons you said, I want to support the creative people behind the shows & movies I enjoy. I just don’t think it’s accurate to say that there’s a moral requirement to pay for entertainment, especially given how unfair the system currently is.