It’s copyright infringement to do so. No need getting the Beehaw admins in trouble; Google paywall bypassing tools and read away.

Been playing a lot of The Finals lately. Normally my time would be spent in Destiny 2, but the current D2 season is gonna last for a looooong time, so I’m not in any hurry to grind it out just yet. But The Finals has absolutely blown me away so far. It can be buggy and unbalanced at times, but it’s so damn fun. Demolishing an entire building to bury the cashout station in rubble and prevent a steal is so satisfying.

Embark has also recently said that they’ve got a lot of updates in the works, so I’m really excited to see how Season 2 plays out.

DoorDash must love constantly issuing refunds to neighborhoods like this.

Internet Archive likely wouldn’t be able to handle it. They’re already struggling currently, as it is, and dumping a few petabytes of caches of the entire internet onto them probably won’t help.

I agree, I’m not a big fan of most of their menu these days. Though, their Famous Bowls always hit hard.

Yeah, most fast food places here have delivery options now, usually partnered through UberEats or GrubHub or one of those apps. At least in the cities, they do.

Otherwise, they also will typically let you order online so you can schedule it to be ready when you get there to pick it up, yourself.

why are you buying chicken on KFC dot com?

Delivery, most likely.

There is no legal issue

Nintendo is suing

I mean, it’s right there.

Also, you’re thinking of trademark. Might be a good idea to know the difference before calling somebody else’s opinion “hullabaloo”.

While all of that appears to be true, that doesn’t mean Nintendo/TPC aren’t able to make this small studio’s lives a nightmare if they wanted. I have a feeling that the level of scrutiny the studio will be under from now on is going to inhibit any real innovation, as they’re already walking a very fine line as it is.

I’ve got a feeling that the legal issues, even if they’re in the clear, are going to pose a lot of problems for the longevity of the game. But, I’m really hopeful that this sparks inspiration for other devs to take on the monster collecting genre. Pokemon has dominated that space for so long that they practically define the genre at this point, so it’ll be nice to see new monster collectors come out with their own unique styles.

If the voice doesn’t match the account owner, it doesn’t give out any personal info. If you use somebody else’s Assistant, you can only get general search results or media payback, typically.

I mean sure, but how often is the virtual keyboard pulled up in any “creative” app? It always auto-hides if you’re doing anything other than interacting with a text field.

What does this have to do with “creators”, though?

Takis are for people who hate teeth.

True, but no one is going to pay for content with production values barely above tiktok videos - which is what most of YouTube’s most famous content is.

I don’t think of it as paying for the content, as much as just paying for an ad-free experience that doesn’t require maintenance on my end and still helps pay creators. I watch YouTube a lot, and on several devices that aren’t easy to adblock on, so I just pay for a family plan and none of my family has to see ads on any of their devices, either. I don’t think YouTube is really doing exclusive content anymore, so that’s not really a huge reason to subscribe.

YTP is one of the few “quality of life” subscriptions that I think is genuinely worth it, IMO.

Presumably they mean it allows the DNS provider to see your internet traffic, but I don’t believe that’s wholly accurate. I believe at most they’d be able to log timestamps of what domains you visited.

If you think E3 was a more welcoming venue for indie studios, you’d be mistaken. Getting a booth or presentation slot at E3 was insanely expensive. If Nintendo, Sony, and Microsoft didn’t think it was worth their money to have even a booth presence on the show floor, you can probably imagine how prohibitive it was for smaller studios.

Well, The Game Awards are voted for by the players, not some panel of industry suits.

That’s fair. I guess you and I got different things out of E3, then. I mostly only followed the news on the game announcements, and not so much on the experiences on the show floor.

For me, I only really tuned in for the ads, because that’s how I would keep up to date with the gaming scene before I had the internet in my pocket.

I kinda have the same takeaway for Keighley’s shows. I don’t even really care too much about most of the awards (Like, who cares about Best eSports Coach? Why is that even a category?) except for GOTY and maybe a few others like Best Performance. I’m mostly just watching for the trailers, myself.

I mean, that’s exactly what E3 had always been in the first place, too. Developers/publishers only showed up to advertise upcoming releases. Only instead of 3 hours of ads a year, it was 3 days of ads. Yeah, we got a lot of cool insider interviews from E3, but even those are just ads.

If advertising is the issue, E3 was a far worse offender than any of Keighley’s productions, imo.